Turner Classic Movies Summer Under The Stars 2022 — Week 03 Picks

Here is a list of what I’ll be watching and/or DVRing during Week 03 of TCM’s Summer Under The Stars (SUTS), the channel’s annual tribute to one star per day for the month of August. Emphasis is on films I haven’t seen yet and those increasingly rare rarities. Fun fact: I got hooked on TCM for good on Jean Gabin Day during the 2011 SUTS, so in a roundabout way, SUTS led to TCM Party. Picks for each day after the jump. As always, all times are Eastern.

This week is gonna kinda sorta be super random because I’m running late (it’s Tuesday as I write this) and I’m not crazy for anyone this week other than Joan Crawford and Toshiro Mifune, and many of these films play on TCM quite often. So I’ll really be looking for the odd and the rare.

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Turner Classic Movies Summer Under The Stars 2022 — Week 02 Picks

Here is a list of what I’ll be watching and/or DVRing during Week 02 of TCM’s Summer Under The Stars (SUTS), the channel’s annual tribute to one star per day for the month of August. Emphasis is on films I haven’t seen yet and those increasingly rare rarities. Fun fact: I got hooked on TCM for good on Jean Gabin Day during the 2011 SUTS, so in a roundabout way, SUTS led to TCM Party. Picks for each day after the jump. As always, all times are Eastern.

Continue reading “Turner Classic Movies Summer Under The Stars 2022 — Week 02 Picks”

Turner Classic Movies Summer Under The Stars 2022 — Week 01 Picks

Here is a list of what I’ll be watching and/or DVRing during TCM’s Summer Under The Stars (SUTS), the channel’s annual tribute to one star per day for the month of August. Emphasis is on films I haven’t seen yet and those increasingly rare rarities. Fun fact: I got hooked on TCM for good on Jean Gabin Day during the 2011 SUTS, so in a roundabout way, SUTS led to TCM Party. Picks for each day after the jump. As always, all times are Eastern.

Continue reading “Turner Classic Movies Summer Under The Stars 2022 — Week 01 Picks”

Reckless Review: UN FLIC

Every year, Turner Classic Movies (TCM) throws a few surprises into their Summer Under The Stars (SUTS) programming. As you may know, SUTS means each day in August is dedicated to the films of a single brilliant star. Along with actors you might expect, such as Humphrey Bogart (Aug. 1) and Bette Davis (Aug. 14), TCM always includes a few surprising choices. For instance, I don’t know of any other cable channel that would run nearly 24 hours of silent films, but that’s exactly what happened on Ramon Novarro‘s day (August 8). If you missed Ben-Hur (1925) starring Novarro and Francis X. Bushman, you really should check it out.

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The other somewhat unconventional and totally welcome choice in the SUTS mix this year is Catherine Deneuve (Monday, August 12). As I said on Jean Gabin day in 2011…big ups to TCM for running 24 hours of subtitles. (Actually, there is one English-language Deneuve film, The Hunger, showing at 4:15 a.m. on Tuesday, August 13. But still…it’s not something you see every day.)

Of Monday’s films, I highly recommend Un flic (1972). It’s showing at noon on Monday and stars Deneuve, Alain Delon and Richard Crenna, directed by Jean-Pierre Melville.

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Un flic is French for “a cop;” the film’s American title is less ambiguous: Dirty Money. Delon plays the title role, a brutal, not-so-clean police commissioner, who suspects that his friend, a nightclub owner (Crenna), is behind a series of bank robberies and drug deals. Cathy (Deneuve) is caught between them, sleeping with both and keeping both their secrets. Her model beauty and perfectly coiffed hair belie the anxiety in her nervous gestures and darting eyes. It’s a small part but a memorable one.

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Melville is one of my favorite directors, he does crime pictures as well as anyone. His newsreel-style, on-location filmmaking was influential on Jean-Luc Godard (whose use of jump cuts was inspired by Melville). This was Melville’s last film, and like my favorite Le samouraï, Un flic may as well have been shot in the black and white of a film noir…cold desaturated colors, dark rooms, inky shadows. Thematically it’s as melancholy as any noir, and the line between the lawman and the criminal is as hazy as dusk in the Paris of Melville’s creation…this isn’t Woody Allen’s City of Lights. Part of it is unbelievable (you’ll know it when you see it), and I’m pretty sure Crenna was dubbed, but these are minor details in a suspenseful and enjoyable neo-noir.

UPDATE: No worries if you missed this on Deneuve day and you have Netflix. I searched the site on the off chance they would have Un flic on DVD, and lo and behold, not only do they have it, it’s also streaming. C’est super!