This annual event celebrates the supporting actors who are ostensibly there to bolster the lead but more often than not steal the scene. From the frustrated hotel house detective or the reliably sarcastic maid to the cigar-chomping stage manager or the reliable sidekick — character roles are often our favorite performances in a film. So we invited bloggers to scribe on their favorite characters. Let’s begin after the jump…
Subsequent to Day 1 over at Outspoken and Freckled, and Day 2 at Once Upon A Screen, I am presenting Day 3 of our annual tribute to the names below the title, those scene-stealing supporting players who add immeasurably to our favorite films.
First up, Gary Pratt takes a good look — literally — at Donald Pleasance, particularly as half of a beautiful friendship in The Great Escape in a guest post on Outspoken and Freckled.
Lesley at Second Sight Cinema looks at late-blooming Charles Coburn, who nonetheless became “as indispensable to the movies as he had been to the American stage for nearly four decades.”
Aurora at Once Upon A Screen… profiles another late bloomer, the inimitable Majorie Main, whose “physical look, her mannerisms, dry wit, and that voice! all made a package that was not easy to forget.”
The Lady Eve shines the spotlight on Joyce Compton, declaring, “there’s more to [her] story than her turns as scatterbrained, Southern-fried blondes.”
Kellee at Outspoken & Freckled sheds some very deserved light on Frank McHugh’s life and career.
To be continued with more character actors to come…
It’s hard to believe we’ve been hosting this blogathon for eight years now! But perhaps it isn’t that shocking — after all, discussing those scene-stealing character actors is a crowd-pleasing pastime amongst cinephiles.
Year after year, it’s an event we all look forward to. Wise-cracking Eve Arden, nurturing Louise Beavers, sassy Thelma Ritter, double-take pro Edward Everett Horton, tart-tongued Edna May Oliver, gravelly-voiced Eddie “Rochester” Anderson, fatherly Charles Coburn, frazzled Franklin Pangborn, bullfrog voiced, barrel-chested Eugene Pallette, cigar-chomping Ned Sparks… these and so many more lovable character actors are who we look forward to seeing as our dearest ole chums. Couldn’t we all use a trusted sidekick? All the details after the jump.
Lionel Atwill, a fixture of action and horror films throughout the 1930s and 1940s, is a familiar face whose background was unknown to me, so I figured he’d be great to write about for the 7th Annual What A Character! Blogathon. To be honest, there’s a lot more story here than I expected.
‘Tis the season to recognize the names below the title, as our yearly recognition of those supporting players whose faces you know (but names you might not) concludes today.
Check out Day 1 by Kellee at Outspoken and Freckled and Day 2 at Aurora‘s blog Once Upon a Screen. All the nitty-gritty blogathon details are in the Announcement post. Thanks to my partners in cinematic tribute for making this such a fun project and to Turner Classic Movies for the blogathon title and inspiration. And now on with the show…
Frank Morgan and June Brewster are just two of the superb character actors in BOMBSHELL (1933). Image via Doctor Macro
When you re-watch your favorite films, what keeps you coming back for more? A great story with sharp writing? No doubt. Beautiful costumes, swanky set designs, and stunning cinematography? Most assuredly. But the performances are key to any movie. While we all look forward to the popular leading actors, it is the stand-out, scene-stealing supporting actors that feel like “home.”
Wise-cracking Eve Arden, nurturing Louise Beavers, sassy Thelma Ritter, double-take pro Edward Everett Horton, tart-tongued Edna May Oliver, gravelly-voiced Eddie “Rochester” Anderson, fatherly Charles Coburn, frazzled Franklin Pangborn, bullfrog-voiced, barrel-chested Eugene Pallette, cigar-chomping Ned Sparks… these and so many more lovable character actors are who we look forward to seeing as our dearest old chums. We all could use a trusted sidekick.
John Ford’s STAGECOACH (1939) was rife with talented characters.
For the 7th consecutive year, we as the blogathon hosting trio of Aurora of Once Upon A Screen and @CitizenScreen, Kellee of Outspoken & Freckled and @IrishJayhawk66, and myself, Paula of Paula’s Cinema Club and @Paula_Guthat invite you to join us for the WHAT A CHARACTER! BLOGATHON 2018, December 14, 15, 16, as we pay tribute to the brilliance of the supporting players.
Welcome to Day 3 of the Sixth Annual What A Character! Blogathon, in which we celebrate those actors whose faces you know but whose names you may not. I’m your hostess for the Day 3 offerings. Be sure to also check out Day 1, hosted by Kellee at Outspoken and Freckled, and Day 2, hosted by Aurora at Once Upon A Screen. It’s been my pleasure to work with these two dames to shed some light on the names below the title. And now, on with the show…
First up, my co-host Aurora at Once Upon A Screen recaps the multi-faceted stage, TV, and film career of Mary Wickes from her earliest theater work to Sister Act and beyond.
Terry at A Shroud of Thoughts reminds us that William Schallert, who is so well-known for his intelligent and/or nice characters, could actually be “not exactly sympathetic…downright villainous.”
Crítica Retrô looks at a different kind of actor, Looney Tunes former main character and dependable sidekick, Porky Pig.LA
Cinematic Scribblings highlights standout Japanese actress Haruko Sugimura and her portrayals of “not always particularly pleasant people.”
Carole & Co honors “one of the foot soldiers of film (and TV) acting,” Nat Pendleton.
Prowler Needs A Jump surveys Patrick Magee‘s amazingly diverse, half-century career.
Co-host Kellee at Outspoken and Freckled provides a pronunciation refresher while honoring the oeuvre of Zasu Pitts.
That William Powell Site examines that star’s scene-stealing performance in Beau Geste (1926), “another opportunity for [him] to steal the show.”
I’m not really one for musicals. I don’t universally enjoy them all. But when I like them, I really like them, and they are among my favorite films of all-time. For instance, 42nd Street, Dames, Swing Time, Singin’ in the Rain, and Romance on the High Seas (1948).
To sum up the plot (bear with me): Married couple Michael and Elvira Kent (Don DeFore and Janis Paige) each constantly suspect the other of infidelity. Michael though is too wrapped up in his work to go on the vacations Elvira plans for their anniversaries, and every year he cancels and they stay home. In the course of booking these trips, she meets Georgia Garrett (Doris Day) at the travel agency. Georgia never goes anywhere either; she’s broke and only goes to the agency to window-shop. When the Kents’ third anniversary rolls around, Elvira has reason to suspect that Michael’s inevitable postponement of this trip, a cruise to Rio, is because of his new blonde secretary.
While she’s still fuming with jealousy, the travel agency mistakenly delivers Georgia’s passport photo to Elvira, and that gives the latter an idea: In these pre-Internet, pre-TSA days, Elvira will send Georgia on the cruise in her place, so that Elvira can stay home and keep an eye on her husband without him knowing she’s still in town. Her insistence on going on the cruise by herself heightens Michael’s suspicion, and he in turn hires private detective Peter Virgil (Jack Carson) to go on the cruise and keep an eye on Elvira. Only with the help of her Uncle Lazlo (S.Z. “Cuddles” Sakall) does Elvira successully sneak Georgia onto the ship. Once the ship sails, many complications ensue.
It’s a plot of Shakespearean complexity — with songs! *
Welcome all and sundry! Having been sidelined for awhile with the vagaries of an old body catching up with me, I was thrilled to see that the Sixth Annual What A Character! Blogathon was in the works, with some delightful selections from numerous cinephiles coaxing my attention to the newer batches of those who work in the background of sets and groups, inching their way closer to success.
To that end, allow me a few moments of your time while I dig out, dust off, root around, and unearth the career of some local homegrown Maryland talent in
What A Character: Master Craftsman Daniel Stern. Wise-Ass To The Stars!
Along with Chris Meloni (“Bound,” “Oz,” “Law & Order: SVU”) and Jonathan Banks (“Who’ll Stop The Rain,” “Wiseguy,” “Breaking Bad”), Stern was the tall, gangling scarecrow of an upstart who caught my eye providing sarcastic comic relief as one of four high school graduate buddies facing life’s daunting future in Breaking Away.
A Peter Yates-directed coming-of-age project from 1979, filmed in and around Bloomington, Indiana. A surprisingly good example of a on-location film that excels in “Bang For The Buck,” mixing teen angst, uncertainty, and a scaled-down version of a hometown bicycle “Tour de France” with the four friends — “Cutters,” named after the local families who cut and formed marble and granite for the state’s municipal and court buildings — going up against better-trained, -financed and -equipped fraternities. Adding a dash of underdog to the film’s drama and comedy that surprised audiences, the Golden Globes, and Academy of Arts and Sciences alike.
