If it’s Springtime, Why Is It Still Cold Outside Movie Quiz

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Warning: this is no lightweight quiz. Extreme brainwracking may occur! Professor McGonagall approves.

My friend Michael of It Rains…You Get Wet answered this thought-provoking movie quiz earlier, it was actually devised by Dennis at Sergio Leone and the Infield Fly Rule, under the name “MISS JEAN BRODIE’S MODESTLY MAGNIFICENT, MATRIARCHALLY MANIPULATIVE SPRINGTIME-FOR-MUSSOLINI MOVIE QUIZ.” I’m so late on this that Dennis has already compiled all the answers here, here, here and here, but I still had a lot of fun with this quiz so, at the risk of total redundancy, I’m posting my answers.

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1)      The classic movie moment everyone loves except me is:
Any of the 112 moments of The Constant Nymph (1943). Joan Fontaine was 25 and doesn’t seem 14 to me, just a little mental, but not as crazy as Charles Boyer’s character would be to leave Alexis Smith’s for a teenager. By the end of the film, I really felt they deserved each other.

 2)      Favorite line of dialogue from a film noir
“Baby, I don’t care.”

       
3)      Second favorite Hal Ashby film
The Last Detail. My number one is Harold and Maude. But have you ever seen 8 Million Ways To Die (1986)?
       
4)      Describe the moment when you first realized movies were directed as opposed to simply pieced together anonymously. *
I’m not really sure, but I have a pretty clear memory of my mother telling me how Atlanta burning in Gone with the Wind was actually the set from another film, and that they had filmed that first. Before that I thought they started with the first scene and went through it in the order of the finished film. I was maybe 10 or 11.
       
5)      Favorite film book 
Halliwell’s Film Guide. 
       
6)      Diana Sands or Vonetta McGee?
Vonetta McGee. Repo Man.

7)      Most egregious gap in your viewing of films made in the past 10 years
Children of Men. I know, I know!
       
8)      Favorite line of dialogue from a comedy
It is really difficult to choose one, but let’s go with: “All you need to start an asylum is an empty room and the right kind of people.”
       
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9) Second favorite Lloyd Bacon film
Espionage Agent (1939), with Joel McCrea and Brenda Marshall. Number one would be 42nd Street.

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10)   Richard Burton or Roger Livesey?
Roger Livesey.       
11)   Is there a movie you staunchly refuse to consider seeing? If so, why?
A Clockwork Orange, because I don’t want anything to ruin Singin’ in the Rain. Killer Joe, because the description of that one is enough. Twilight, I guess just because I’m sick of hearing about it. There’s many others, probably hundreds.
       
12)   Favorite filmmaker collaboration
Orson Welles and Gregg Toland. Christopher Nolan and Wally Pfister. Quentin Tarantino and Sally Menke. Alfred and Alma Hitchcock.
       
13)   Most recently viewed movie on DVD/Blu-ray/theatrical?
The Guard (2011).
       
14)   Favorite line of dialogue from a horror movie
“If you want good product, you gotta buy American.”
        
15)   Second favorite Oliver Stone film
JFK. First favorite is still Platoon.
       
16)   Eva Mendes or Raquel Welch?
I don’t have strong feeling one way or the other. Let the flaming commence!

17)   Favorite religious satire
The Life of Brian. With runner up to Father Ted. It’s only runner-up because it’s not a movie, and it would have made a funny one.
       
18)   Best Internet movie argument? (question contributed by Tom Block)
19)   Most pointless Internet movie argument? (question contributed by Tom Block)
I think a lot of the time, these are the same thing. Internet movie arguments are the best, because mostly they are fun, and they’re also pointless, because I’ve yet to have one change my mind about anything important. Any argument that turns personal or has people unfollowing and blocking each other is a big bummer, though.
       
20)   Charles McGraw or Robert Ryan?
Robert Ryan.
         
21)   Favorite line of dialogue from a western
“Old man, make three coffins.”
       
22)   Second favorite Roy Del Ruth film
Tail Spin. First choice is Topper Returns. The movie isn’t all that great, but Joan Blondell is in it.

23)   Relatively unknown film or filmmaker you’d most eagerly proselytize for
It used to be Rian Johnson, because I knew he was a genius about 5 minutes into Brick. Richard Linklater is hardly an unknown filmmaker, but his Bernie (2012) is mostly unknown, and that is the one I’ve probably yammered on about the most.
       
24)   Ewan McGregor or Gerard Butler?
With apologies to Ruth at Flix Chatter, Ewan McGregor.
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25)   Is there such a thing as a perfect movie?
I don’t know. But there are some that are pretty darn close. Casablanca. Jane Eyre.
       
 26)   Favorite movie location you’ve most recently had the occasion to actually visit *
Da Stuzzi, the café they dressed for Café Debussy in Inception (2010).
inception location - Café Debussy
Pointe Hardware & Lumber, where they filmed Gran Torino (2008).
“Clint Eastwood’s Favorite Hardware Store”
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Metro Airport (DTW), used for Up In The Air (2009).
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27)   Second favorite Delmer Daves film
As a director, Destination Tokyo (1943). First is Dark Passage (1947). As a writer, An Affair to Remember (1957). First would be The Petrified Forest (1936). I know, it was an adaptation of a play.
        
28)   Name the one DVD commentary you wish you could hear that, for whatever reason, doesn’t actually exist *
Casablanca.
       
29)   Gloria Grahame or Marie Windsor? Gloria Grahame.
Gloria Grahame as Violet in IT'S A WONDERFUL LIFE
       
30)   Name a filmmaker who never really lived up to the potential suggested by their early acclaim or success.
At the risk of incurring some major wrath…Orson Welles.
31)   Is there a movie-based disagreement serious enough that it might cause you to reevaluate the basis of a romantic relationship or a friendship? *
Not based on a certain actor, director or film. Twitter is basically an exercise in “to each his or her own.” However, I can’t be friends or more with anyone who enjoys rape scenes, i.e. clapping, cheering, wolf whistles.
* denotes a classic or, if you must, recycled question from quizzes past that Miss Brodie thought might be interesting to revisit.

MHDL'S Fan Magazine Collection takes you back in movie time

A while back, I happened upon possibly the only site that may be a bigger time suck than tumblr….the Fan Magazine Collection put together by Media History Digital Library (MHDL). This remarkable archive contains full-page scans of magazines that you can browse through or even download to your computer for later consumption.

All’s well at M-G-M “the happy lot:” (L to R) Madge Evans, Robert Montgomery, Marie Dressler, John Gilbert, Anita Page, Joan Crawford and Clark Gable. Photoplay, May 1932.

The star of the show is MHDL’s complete set of Photoplay magazine, comprising all the issues from 1914 until 1940. These magazines are a gold mine for the classic movie fan…in just one issue, I found publicist-approved info like Mary Pickford’s secret for staying slim (hint: skip lunch), Clark Gable’s explanation of some pesky rumors, Myrna Loy and Carole Lombard’s hairdo tips, and addresses for all the stars, plus tons of images. They are also fascinating cultural artifacts, a window into U.S. society’s past concerns (which haven’t actually changed all that much.) This site will occupy more of your time than you probably can spare.

Joan Blondell. Photoplay, May 1932.

 

One of Photoplay’s interesting and often hilarious features is “The Audience Talks Back,” in which fans air their critiques and grievances. It’s like Twitter…only longer and on paper:

“No matter what the critics write, the audience always has the final word” — Letters to Photoplay, May 1932.

 

I cannot even imagine the work that went into scanning these, and MHDL has even more collections…for instance, the Early Cinema archive covers several publications from 1904 to 1919. All the collections are listed here. MHDL is a non-profit organization, “dedicated to digitizing collections of classic media periodicals that belong in the public domain for full public access…We have currently scanned over 400,000 pages, and that number is growing.” The scanning is paid for by collectors and donors, so if you see the value in any of this, please support their work — there’s a “Donate” button in the right sidebar.

Photoplay, April 1932.

TCM Week – July 30-August 5

Interesting week on TCM. Leslie Howard month wraps up and Summer Under The Stars kicks off with two of my favorites, John Wayne and Myrna Loy. As always, all times are Eastern.

Monday, July 30
9:30 p.m. Island in the Sky (1953)
***TCM PARTY***
Captain Dooley (John Wayne) is the pilot of a plane that crashes “so far north that the area is barely on the map.” He’s in charge of the stranded crew, which has very limited provisions, only a wood fire for heat and barely any juice for the radio signal. Can the Duke keep everyone alive until they’re rescued? Look for us on Twitter with #TCMParty…watch and tweet along with our guest hosts @biscuitkitten and @ScribeHard.

Tuesday, July 31
Star of the Month: Leslie Howard
8:00 p.m. The Scarlet Pimpernel (1935)
This is one of my favorite Leslie Howard films ever. In the 1790s, an apparently shallow British nobleman, Sir Percy Blakeney (Howard), defies the evil French revolutionary Chauvelin (Raymond Massey) by spiriting his fellow aristocrats away from the guillotine and out of France. Also starring the beautiful Merle Oberon as Lady Marguerite Blakeney and luxuriously produced by Alexander Korda, this is perhaps not the most realistic film ever made about the French Revolution, but it may be the most fun.

Beginning early Wednesday at 1:30 a.m., TCM has booked three mystery films starring Joan Blondell: There’s Always a Woman (1938), co-starring Melvyn Douglas and Mary Astor; The Famous Ferguson Case (1932), directed by Lloyd Bacon; and Miss Pinkerton (1932), with George Brent. I haven’t seen any of these, but Blondell’s sassy presence is enough to get me to set the DVR.

Wednesday, August 1
John Wayne
Summer Under The Stars kicks off today. It’s difficult to go wrong with anything on the schedule…seriously…it’s John Wayne. If you need to start somewhere, and can only DVR one movie today, I recommend Stagecoach (1939), The Searchers (1956) or Rio Bravo (1959).

1933: (Left to right) Hollywood stars Myrna Loy (1905 – 1993), Ramon Novarro (1899 – 1968) and Louise Closser Hale relax in the sun during takes for the Metro-Goldwyn-Mayer production THE BARBARIAN. (Photo by Margaret Chute) via doctormacro.com

Thursday, August 2
Myrna Loy
Loy is another favorite of mine who is mostly known today as Nora Charles in The Thin Man series, but she made around 80 films before she became a star in 1934 with the first of those films. So the films she made before that are lesser-known. There’s five of them this morning beginning with The Great Divide (1929) at 6:00 a.m. and including The Naughty Flirt (1931), The Barbarian (1933), When Ladies Meet (1933), and The Prizefighter and the Lady (1933). Then tonight at 8:00 p.m., Loy has a supporting but pivotal role in William Wyler’s The Best Years of Our Lives, one of the best movies ever made. It’s also our ***TCM PARTY*** for tonight. Look for us on Twitter with #TCMParty…watch and tweet along!

Friday, August 3
Johnny Weissmuller
What can I say, a lot of people dig Tarzan pictures. Maybe I’ll check some of them out.

Saturday, August 4
Marilyn Monroe
The film I haven’t seen today is Clash By Night (1952) and it’s got an interesting director and cast. Directed by Fritz Lang, it stars Barbara Stanwyck, Robert Ryan and Monroe. I’m expecting something in noir, seeing as Lang directed M, The Woman in the Window, Scarlet Street, The Big Heat, etc.

Sunday, August 5
Claude Rains
You can’t really go wrong with anything today either. I say that a lot. If I’m forced to pick, I’ll go with The Invisible Man (1933) and Mr. Skeffington (1944). Did you know that in addition to being a great actor, Rains was an acting teacher? Two of his most famous students were Laurence Olivier and John Gielgud.

TCM Week – July 2-8

It’s always so weird when July 4 falls in the middle of the week and TCM runs some of the best movies in the middle of the night. I shouldn’t complain though, Leslie Howard is the Star of the Month. As always, all times are Eastern.

Tuesday, July 3
8:00 p.m. Gone the with Wind (1939)
***TCM PARTY***
During the daytime hours, TCM has 12 hours of Ann Rutherford’s movies scheduled. She very sadly passed away on June 11. Rutherford is probably best known as Carreen O’Hara, Scarlett’s nice sister, in GWTW but I also liked her as Lydia Bennett in Pride and Prejudice (1940), showing today at 10:45 a.m. I’m definitely going to record Two O’Clock Courage (1945), an early Anthony Mann film, starring Rutherford and Tom Conway (brother of today’s birthday boy George Sanders). Rutherford appeared at the TCM Classic Film Festival in 2011 Look for us on Twitter with #TCMParty…watch & tweet along.

Lester Plum (Joan Blondell) tries to educate Atterbury Dodd (Leslie Howard) about the picture business.

midnight Stand-In (1937)
Star of the Month Leslie Howard plays an uptight banker sent to overhaul a Hollywood studio; Joan Blondell is the title character, a sassy former child star, who decides to help him, if he’ll only let her; Humphrey Bogart is the beleaguered producer burdened with a dud film, a histrionic leading lady, and a drinking problem. This has been one of my favorite movies since I saw it last year and my friend Classic Film Freak was kind enough to post my review.

Wednesday, July 4
Patriotic movies are scheduled all day today and two of the most interesting are The Scarlet Coat (1955), about the beginnings of the U.S. Secret Service at 9:15 a.m. and The Devil’s Disciple (1959). You really can’t go wrong with Yankee Doodle Dandy (1942) either.

Thursday, July 5
7:00 a.m. Evelyn Prentice (1934)
This is an interesting pairing of William Powell and Myrna Loy outside of the Thin Man series. He plays a lawyer whose wife (Loy) hasn’t really done anything to deserve being blackmailed. The film was rushed into production after the huge success of The Thin Man to capitalize on their chemistry. It’s so good you sort of won’t believe it when they’re supposed to not be getting along.

5:45 p.m. Penelope (1966)
I haven’t seen this movie. I recorded it last year before we changed cable companies, it was one of the movies that was on the DVR and there was no way to transfer it. But Natalie Wood and Peter Falk are in it, so I’m going to record it again.

This sounds a lot more foreboding in French.

8:00 p.m. Ace in the Hole (1951)
***TCM PARTY***
In the first of guest programmer Spike Lee‘s picks for tonight, a reporter who’s been demoted to a small-town newspaper tries to leverage a catastrophe into a return to the big time. Watch and tweet alone with our special guest host @WillMcKinley.

Friday, July 6
Certainly if you haven’t seen The Manchurian Candidate (1962) at 3:45 p.m. or Bye Bye Birdie (1963) at 6:00 p.m., check those out. I’ll be trying to catch at least one Jimmy Stewart Western of the three that are scheduled: The Man from Laramie (1955) at 8 p.m., The Naked Spur (1953) at 10 p.m. and Two Rode Together (1961) at midnight.

Saturday, July 7
6:00 a.m. Seven Women (1966)
Anne Bancroft, Sue Lyon, Margaret Leighton, and Flora Robson play missionaries in John Ford’s final feature.

4:15 p.m. Dr. Strangelove (1964)
“Gentlemen, you can’t fight in here! This is the war room.”

Sunday, July 8
It’s really difficult to go wrong today. My favorite favorites:
2:15 p.m. The Thin Man (1934)
Sometimes well enough really should be left alone. See above. Celebrate that this isn’t going to be remade by watching the original and best.

6:00 p.m. My Favorite Year (1982)
A 1940s radio show writer (Mark Linn-Baker) struggles to keep playboy thespian Alan Swann (Peter O’Toole doing his best Errol Flynn) sober and upright, at least until the latter can guest star on that week’s show.

midnight Bande à part (1964)
Two thugs and a girl attempt to rob her aunt’s house with complications to be expected from a director, Jean-Luc Godard, whose biggest influences are the bright and dark sides of Hollywood — musicals and film noir.

 

TCM Week – June 4-10

Not that anyone noticed that I stopped doing my weekly TCM picks, but there’s a very simple reason. My subscription to Now Playing, the TCM monthly magazine, ran out and I forgot to renew. Evidently I’m quite reliant on it because I missed two months of it and it’s too difficult to do picks without it. Everything is back to normal this month. Just so you know 🙂

Apparently Bette Davis (as Queen Elizabeth I) slapped Errol Flynn (as the Earl of Essex) so hard during the filming of Elizabeth and Essex that he saw stars.

Monday, June 4
8:00 p.m. The Private Lives of Elizabeth and Essex (1939)
***TCM PARTY***
Possibly in honor of Elizabeth II’s real-life Diamond Jubilee, TCM has two Elizabeth I-related films tonight, the #TCMParty Private Lives at 8:00 and The Virgin Queen (1955) following at 10:00, both with Bette Davis as Britain’s best-loved monarch. (I just conducted a scientific poll via Google search and she is the one royal about whom people have the least bad things to say.) Watching her run a country while trying to keep the Earl of Essex (Errol Flynn) and Walter Raleigh (Richard Todd) in line is quite a treat. Apparently Davis and Flynn were no more well-matched than their characters and feuded during filming to the point of physically injuring each other. Despite this, or because of it, this is a great period drama, with beautiful costumes, sets and lighting. Watch for Herbert Marshall and Joan Collins in Virgin Queen. Watch and tweet along with #TCMParty.

There’s a couple other people in the picture but whatever.

Tuesday, June 5
12:45 a.m. (Weds) Union Depot (1932)
A rather racy-sounding pre-code picture chosen for the presence of Joan Blondell and the fact that it takes place in real time, 20+ years before High Noon.

Looks like Orson Welles borrowed heavily from Peter Lorre’s look in Mad Love for the older Charles Foster Kane.

Wednesday, June 6
TCM has scheduled a bunch of 1930s horror films for daytime, several of which —Island of Lost Souls, Mark of the Vampire, The Hunchback of Notre Dame (1939) — have the gorgeous Expressionistic cinematography I love so. I’ve chosen two I’ve not yet seen. Doctor X (1932) at 7:45 a.m. was directed by the versatile Michael Curtiz (Casablanca) and is sung about in “Science Fiction/Double Feature,” the first number in The Rocky Horror Picture Show. Mad Love (1935) at 3:30 p.m. shares a cinematographer, Gregg Toland, and some details with Citizen Kane. This film is one of several based on the novel Les Mains d’Orlac and it will be interesting to compare to The Hands of Orlac (1924), which starred Conrad Veidt as the recipient of the titular evil hands.

Thursday, June 7
8:00 p.m. Jailhouse Rock (1957)
***TCM PARTY***
This is one of the best Elvis Presley movies, along with Loving You and Viva Las Vegas. Unfortunately, it’s also his only his third movie, and he made quite a few more. However, nobody delivers a classic line such as “That ain’t cheap tactics, honey. That’s just the beast in me” better than Elvis. With special #TCMParty guest host @CitizenScreen.Watch and tweet along

Friday, June 8
TCM has scheduled an unofficial block to honor Alexis Smith on her birthday. Born in 1921, this Canadian actress, though not as well-known today as some of her contemporaries, had a career in movies, stage and TV for more than 50 years.
7:45 a.m. Dive Bomber (1941)
Smith had uncredited roles in 12 films before landing this, her first credited role, opposite Errol Flynn and Fred MacMurray as the girl who comes between them in a WWII drama made just before the U.S. entered the war. (Her last film role was in Age of Innocence (1993)).

9:30 a.m. The Constant Nymph (1943)
I won’t even front like I like this movie. I find it very odd and at times ridiculous. Joan Fontaine is supposed to be a teenager who separates her composer cousin (Charles Boyer) from his wife (Smith). (Seriously, am I the only one who thinks this is weird?) By the end of the film, I felt they deserved each other. But I’m going to watch it again just for Smith, as I’ve read this was her breakthrough role which led to her parts in Night and Day (1946) and The Two Mrs. Carrolls (1947).

There’s a great summary of today’s TCM Gothic offerings here, courtesy of Classic Movies Examiner Jennifer Garlen.

Saturday, June 9
5:30 p.m. The Train (1965)
***TCM PARTY***
In the waning days of World War II, a French railway inspector who is also a member of the Resistance (Burt Lancaster…just go with it) is ordered by the Nazi-in-charge (Paul Scofield) to get a train through to Germany no matter what. Which wouldn’t be a big deal, except that nearly every important piece of art left in France is on that train. Directed by John Frankenheimer, this excellent film is an unpredictable chess match that’s as near to an anti-war statement as you’ll get in a WWII picture. Look for us on Twitter with #TCMParty.

Henry Fonda, Barbara Stanwyck, and someone in a sombrero

midnight The Mad Miss Manton (1938)
The Lady Eve co-stars Barbara Stanwyck and Henry Fonda made this lesser-known comedy three years before Eve. Let’s see…great chemistry in a comedy/mystery with Hattie McDaniel…i’m so there.

Sunday, June 10
JUDY GARLAND’S 90th BIRTHDAY
You can’t really go wrong with anything today.

TCM Week: March 19-25

TCM Week spotlights a highly subjective selection of the week’s essential or undiscovered films on the Turner Classic Movies channel to help plan movie viewing, DVR scheduling or TCM Party attendance. All times are EST.

Monday, March 19
8:00 p.m. This Sporting Life (1963)
10:00 p.m. Billy Liar (1963)
***TCM PARTY***  Guest hosted by @mercurie80
TCM continues the month-long British New Wave celebration tonight with our TCM Party selections This Sporting Life and Billy Liar, followed by Tom Jones (1963), Seance on a Wet Afternoon (1964) and Only Two Can Play (1962). Billy Liar is another of Morrissey’s favorites that I’ve never seen. He used lines from it in Smiths’ songs “The Queen Is Dead” and “Vicar in a Tutu” and adapted another line for the album title Strangeways, Here We Come, among many borrowings. I’m recording all of these but the one I’ll probably watch right away is Tom Jones. I first saw it when I was in high school and over the years, I’ve come to realize that it pretty much defines the term “lighthearted romp.” Also, based on my AP English grade, it’s a pretty darn faithful adaptation of the novel.

Tuesday, March 20
6:15 p.m. The Moon and Sixpence (1942)
George Sanders Alert
Names have been changed to protect the not-so-innocent in this film, which was “loosely inspired by the life of” painter Paul Gauguin. George Sanders plays a middle-class Brit who dumps his family and runs off to Paris to paint. He’s so callous and coldhearted that even I had trouble liking him…until he is redeemed by the love of a good Tahitian woman. Sanders at his worst, and for him that means best. If you don’t have cable, fear not…some nice person put the whole thing on YouTube.

Aline MacMahon, Ginger Rogers, Joan Blondell, and Ruby Keeler of Gold Diggers in 1933.

8:00 p.m. Gold Diggers of 1933
***TCM PARTY***  Guest hosted by @strbuk
Sassy Joan Blondell leads a trio of showgirls trying to become stars. They won’t turn down any marriage proposals from rich guys either. Did I mention it’s pre-code? It’s not all fun and games though—this film has a surprisingly dark undertone epitomized by the number “Remember My Forgotten Man.”

3:00 a.m. (Weds.) The Bitter Tea of General Yen (1932)
I’m only vaguely aware of what this film could be about, but it stars Barbara Stanwyck and is directed by Frank Capra, and that’s good enough for me.

"On California's magnificent Big Sur shoreline, Elizabeth Taylor and Richard Burton are the artist and minister who must meet in secret."

Wednesday, March 21
It’s Karl Malden Day but I confess I’m not too interested in the Westerns of his they’ve got scheduled for tonight. I still miss Elizabeth Taylor and evidently someone at TCM does too; they’ve got seven of her movies in chronological order, beginning at 6:15 a.m. with Cynthia (1947) and continuing with Conspirator (1949), Love Is Better Than Ever (1952), Rhapsody (1954), Butterfield 8 (1960), The Sandpiper (1965) and The Comedians (1967). In Sandpiper and Comedians she stars with Richard Burton so I’ll be recording those. Tonight is also Casablanca Night, aka the biggest TCM Party in the world, brought to you by the channel and Fathom Events 🙂

Thursday, March 22
TCM has Radioactive Calamities and a couple of monster movies until 8 p.m. when they take a look at the films of Rosalind Russell’s later career.

Friday, March 23
8:00 p.m. Wuthering Heights (1939)
***TCM PARTY*** Guest hosted by @kimmiechem
Laurence Olivier as Heathcliff and Merle Oberon as Cathy in what many argue is the definitive version of Emily Brontë’s 1847 novel about a a poor boy brought up in a wealthy family and the foster sister with whom he falls hopelessly, passionately, violently in love. Followed by Charlotte Brontë’s Jane Eyre (1944) at 10 p.m. and the Brontë family biopic Devotion (1946) with Ida Lupino as Emily, Olivia de Havilland as Charlotte, and Arthur Kennedy as Branwell, along with Sydney Greenstreet as another of my favorite writers, William Makepeace Thackeray, at 12:00 a.m. (Sat.).

Saturday, March 24
8:00 p.m. The Goodbye Girl (1977)
***TCM PARTY***
Can you picture Robert de Niro in the role played by Richard Dreyfuss in this? I can’t really, but it almost happened. Sort of, it’s complicated.

Sunday, March 25
6:00 a.m. That Certain Woman (1937)
Bette Davis plays a mother who sacrifices all so that her son can have a better life in this remake of a 1929 picture starring Gloria Swanson, The Trespasser. Davis requested Henry Fonda as her leading man.

Noon Key Largo (1948)
One of my essential film noirs, in which a gangster (Edward G. Robinson) holds a bunch of people, including a war veteran (Humphrey Bogart), and a hotel owner (Lionel Barrymore) and his daughter (Lauren Bacall), hostage during a storm.

Midnight La Roue (1922)
“In this silent film, a railway worker and his son fall in love with the same beautiful woman.” French, directed by Abel Gance.