31 Days of Oscar TCM Premieres

Turner Classic Movies is once again presenting 31 Days of Oscar, this year organized by nominees and winners in a different category each day. The channel has scheduled a bunch of films that have never graced TCM airwaves before, even venturing into the 21st century, which, in my unpopular opinion, is welcome addition. (This isn’t a new thing for me. I’ve been advocating for Future Classic Movies since 2012.) Most of the Oscar films are in heavy rotation year-round, and, as controversial as it may be, it’s nice to get some variety. Some titles like Gosford Park, The Triplets of Belleville, Far From Heaven, and Lincoln map obviously to classical genres, but all of these deserve a chance. Try one, you might like it. After all, even Wings (1927) was new once. More on the remaining premières after the jump

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Announcing the 31 Days of Oscar 2019 Blogathon!

Update

Day 1 posts are here.

From the time Douglas Fairbanks, then President of the Academy of Motion Picture Arts and Sciences, hosted the first Awards dinner party for about 250 people on May 16, 1929, to this year’s host-free Oscars ceremony ninety years later, this iconic celebration honoring Hollywood’s finest continues to be just as spectacular and as riddled with both excellence and contentions as the films and filmmakers they honor.

February 23rd, 1939. Serial Oscar winner Bette Davis holding her Oscar for *Jezebel* as she talks to the film’s director, William Wyler. 11th Academy Awards, Los Angeles.
(Photo by Archive Photos/Getty Images)

If you take a look back at the many Oscar moments in these past 90 years of Oscars ceremonies, you’ll find numerous surprises, disappointments and controversies, which continue to spark debate to this day. That’s where we come in. For the seventh consecutive year, I am once again joining forces with Aurora of Once Upon A Screen aka @CitizenScreen and Kellee of Outspoken and Freckled aka @IrishJayhawk66 to bring you the 31 Days of Oscar Blogathon. We hope you’ll consider joining us to make this the best and brightest Oscar blogging event yet.

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Announcing the 31 Days of Oscar Blogathon!

The Academy of Motion Picture Arts and Sciences handed out its first Awards at a dinner party for about 250 people on May 16, 1929, to honor movies released from August 1, 1927 – August 1, 1928. The organization’s first president, Douglas Fairbanks, hosted and presented at the ceremony, held in the Blossom Room of the Roosevelt Hotel in Hollywood. The brainchild of MGM studio mogul Louis B. Mayer, the Academy was formed in 1927 as a non-profit dedicated to the advancement and improvement of the film industry. Some might argue about some of those achievements, but there is one thing that is sure to impress classic movie and Hollywood fans: When the music plays to open this year’s Oscars on March 4, 2018, it will be the 90^th time the film industry has honored achievements in movies. Check out all the 1929 nominees and winners.

If you look through 90 years of Oscars ceremonies, you’ll find numerous surprises, disappointments, and controversies, any number of which may spur debate from film aficionados. That’s where we come in. For the sixth consecutive year, I am joining forces with Kellee of Outspoken & Freckled and @Irishjayhawk66 and Aurora of Once Upon A Screen and @CitizenScreen to bring you the 31 Days of Oscar Blogathon. Given Oscar’s special anniversary and all of the memories, we hope you’ll consider joining us to make this the best and brightest outing yet. Details & list of participating blogs after the jump…

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31 Days of Oscar Blogathon – Day 3!

The truth of the matter is that while Hollywood admires people who win Oscars, it employs people who make money, and to be able to do one does not necessarily mean you can do the other.
— George Sanders

george-and-zsazsa-oscar-night-1951-600w — George Sanders and Zsa Zsa Gabor on Oscar night, 1951. Sanders won Best Supporting Actor for his work as Addison DeWitt in ALL ABOUT EVE.

Today is the third and final day of the 31 Days of Oscar Blogathon, our annual exploration of the phenomenon that is the Academy Awards, still the pinnacle of achievement in the film world. I’m keeping this introduction brief in order to avoid the dreaded wrap-up music, but be sure to check out Day 1, hosted by Aurora at Once Upon A Screen, and Day 2, hosted by Kellee at Outspoken and Freckled. It has been my honor to share five years of Oscar opining with these lovely and talented ladies. Our blogathon takes its cue from Turner Classic Movies’ 31 Days of Oscar, which runs through Friday, March 3.

And now, without further ado, today’s posts are…

Musings of a Classic Film Addict discusses legendary Luise Rainer’s back-to-back Oscar wins for The Great Ziegfeld (1936) and The Good Earth (1937).

Portraits by Jenni recounts the origin and development of the Academy Awards’ Best Song category through the 1960s.

Danny Reviews spotlights nine decades of the Strangest Oscar Wins of All Time — “not necessarily…bad films or performances, but [those that] don’t fit the traditional milieu of an Academy Award winner.”

Dreaming in the Balcony presents a rich analysis of both Kitty Foyle and Ginger Rogers’ work on that picture, which resulted in her one and only nomination and win.

Cary Grant Won’t Eat You makes a case for one of the most egregiously snubbed actors ever, Jake Gyllenhaal.

Cinematic Scribblings studies a film about the making of a film that blurs the line between life and art, François Truffaut’s Day for Night.

Phyllis Loves Classic Movies continues her examination of an all-important craft, costume design, in Academy Award-Winning Costumes Part 2 — 1961-1977. (Also see Part 1 — 1949-1960).

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Announcing the 5th Annual 31 DAYS OF OSCAR Blogathon!

Welcome for the fourth time to the 31 Days of Oscars Blogathon redux, making this the fifth installment of our grand celebration of all things Oscar!

Kellee of Outspoken & Freckled, Aurora of Once Upon A Screen, and yours truly of Paula’s Cinema Club started this event to coincide with Turner Classic Movie’s 31 Days of Oscar marathon. For 31 days, TCM spotlights the movies and players that have made a legend of the golden statuette. This Blogathon is our way to pay tribute to the network and the movies we love. We hope you join us in the effort. Details after the jump!

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31 Days of Oscar- THE CRAFTS: Costume Designer Sandy Powell

While scrutinizing this year’s official Academy Award class photo, my eye was immediately drawn to red…not just those few actresses wearing scarlet-hued dresses, but also the neon crimson hair of costume designer Sandy Powell. It’s appropriate that color would draw the eye to her, as she used it to create some of this year’s most stunning and effective costume designs, including the instant classic Cinderella gown made up of many layers of painstakingly dyed blue fabrics. She is pitted against herself with two 2015 nominations, one for Carol, the other for Cinderella. Not so coincidentally, in both she dressed Cate Blanchett. The last time the two worked together, for 2004’s The Aviator, both took home Oscars (Blanchett for her portrayal of Katharine Hepburn).

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31 Days of Oscar, Week 3: THE CRAFTS

We’re now just past the halfway point of both Turner Classic Movies channel’s Academy Awards tribute, 31 DAYS OF OSCAR, and the 31 DAYS OF OSCAR Blogathon, hosted annually by myself here at Paula’s Cinema Club, Kellee of Outspoken and Freckled, and Aurora at Once Upon A Screen.

This week we salute the less renowned, but nonetheless essential, disciplines of movie-making…THE CRAFTS. Those who practice them are below the title in billing yet are decidedly indispensable to the overall effect of a film. Check out the fabulous Week 3 posts after the jump!

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Announcing the 31 Days of Oscar 2016 Blogathon

“I’m very enthusiastic about the Academy Awards because if there were no Oscars, we wouldn’t have as many good movies as we do have.” – Robert Osborne
The Oscars — both maligned and praised — are always cause for celebration and we’re here to do just that.

For the fourth consecutive year Paula’s Cinema Club (my Twitter handle @Paula_Guthat) joins forces with Kellee (@IrishJayHawk66) of Outspoken & Freckled and Aurora (@CitizenScreen) of Once Upon A Screen for the 31 Days of Oscar Blogathon, running February 6-27, 2016. We started this event to coincide with Turner Classic Movie’s 31 Days of Oscar marathon, during which the network shines the spotlight on the storied history of the Academy Awards. All the deets, including participating blogs & their chosen topics, after the jump…

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Follow the 2015-16 Awards Season with my downloadable schedule

While speculation about possible Oscar nominations has been going on for months, the 2015-16 Awards Season officially kicked off this past Monday (Nov. 30) when the Gotham Awards for the best films and performances of 2015 were announced. Then yesterday, the National Board of Review chimed in with somewhat surprising trophies of their own.

As someone who loves movies, and has perhaps taken that love a little too far, I follow the industry’s proceedings with the same zeal as a fantasy league player going for a million dollar pool. This is the second year in a row that I’ve put together this schedule of important awards dates. Having done that, I figured why not gussy it up a bit and share it with the world. So here is my downloadable, printable, hyperlinked PDF. Some of the more important days are indicated with dark red and link to the relevant URL; the dates that awards are actually bestowed are in bolder type. That’s right, they’re clickable! If there’s a broken or incorrect link, of course let me know.

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31 Days of Oscar: The 48th Academy Awards (1975) by Jack Deth

by Jack Deth

Greetings, all and sundry!

A New Year brings many things. Cold weather. Occasional snow. The Super Bowl. Worries about taxes. And that selection of works from the previous year’s effort in regard to cinematic entertainment known as the Academy Awards. The celebration of the “be all and end all” that is the magic of Tinseltown.

With the toils of 1975 fuzzily reflected in the tastes and perspectives of what felt like the final year of pulling up from the nosedive, ennui and la cafard created by Vietnam. Comedies in abundance. Woody Allen flexing his intellectual muscles with Love And Death on one side. To an off-the-wall New Wave import, The Rocky Horror Picture Show, adapted from the massively popular “audience participation” stage play. Dramas would also score high with Peter Weir’s Picnic At Hanging Rock, and Antonioni’s The Passenger. Making room for conspiracy thriller Three Days of the Condor by Sidney Pollack. And science fiction taking a roller coaster ride with Bryan Forbes adapting Ira Levin’s high-end The Stepford Wives. To David Cronenberg’s creepy They Came From Within. And the no-budget take on Harlan Ellison’s post-apocalyptic narrative, A Boy And His Dog, filling those more base tastes.

An eclectic year to say the least, with proven masters doing things their own way, while making room for just-starting-out talent, who would be household names in later years, going against established convention. Not an easy year for Academy voters, with a plethora of personal tales, and a noted lack of established musicals and other hugely-budgeted studio “epics” to be whittled down to an easily manageable number.

The offerings of 1975 would also have a Wild Card, a change to the long-standing paradigm, ramrodded by a young upstart named Stephen Spielberg. Released during the summer and added to the deck of contenders by tremendous reviews and popular demand. An intentionally made and executed “Blockbuster” by the name of Jaws.

Having perused, assembled and critiqued the films brought to the forefront during 1975. I’ve decided to lay out my offering very much as I had done for our hostess Paula a couple of years ago, and present for your approval:

The 48th Academy Awards: Old vs. New. With A Twist!

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