Oscar Musings

We made it. As I type this, the 91st Academy Awards ceremony is happening. The Academy has a lot of work to do before the 92nd. There are three four tasks that, if completed, would save this august organization and revive its beleaguered ceremony…all is revealed after the jump.

The Oscars have always had their controversies and backstories. Gregory Peck, Sophia Loren, Joan Crawford (accepting for Anne Bancroft), and Maximillian Schell at the 1963 ceremony, held at Santa Monica Civic Auditorium.
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31 Days of Oscar 2019 – Day 3

While this year’s Academy Awards ceremony is officially host-less, the 31 Days of Oscar Blogathon has three! Kellee of Outspoken & Freckled, Aurora of Once Upon A Screen, and I, here at Paula’s Cinema Club have been celebrating the Oscars themselves and TCM”s tribute to same for the past seven years!

It’s almost a wrap on the third and final day, as I continue to collect the knowledge and opinions of our astute bloggers:

First up, Amanda at Old Hollywood Films focuses on Five Times the Academy Got It Right. Her picks include one of my favorites, George Sanders’ win for All About Eve; click for the rest.

Linda at Backstory: New Looks at Classic Films examines the life and career of “strikingly successful art director” Ward Ihnen.

Pale Writer analyzes Nat King Cole’s Best Song win for “Mona Lisa.”

at Crítica Retrô reviews pre-sound films’ Oscar legacy in Golden Silence: Silent Films at the Oscars.

In the Good Old Days of Classic Hollywood recounts Olivia de Havilland’s second Oscar win for The Heiress.

Check back throughout the day for additional 31 Days posts!

Announcing the 31 Days of Oscar 2019 Blogathon!

Update

Day 1 posts are here.

From the time Douglas Fairbanks, then President of the Academy of Motion Picture Arts and Sciences, hosted the first Awards dinner party for about 250 people on May 16, 1929, to this year’s host-free Oscars ceremony ninety years later, this iconic celebration honoring Hollywood’s finest continues to be just as spectacular and as riddled with both excellence and contentions as the films and filmmakers they honor.

February 23rd, 1939. Serial Oscar winner Bette Davis holding her Oscar for Jezebel as she talks to the film’s director, William Wyler. 11th Academy Awards, Los Angeles.
(Photo by Archive Photos/Getty Images)

If you take a look back at the many Oscar moments in these past 90 years of Oscars ceremonies, you’ll find numerous surprises, disappointments and controversies, which continue to spark debate to this day. That’s where we come in. For the seventh consecutive year, I am once again joining forces with Aurora of Once Upon A Screen aka @CitizenScreen and Kellee of Outspoken and Freckled aka @IrishJayhawk66 to bring you the 31 Days of Oscar Blogathon. We hope you’ll consider joining us to make this the best and brightest Oscar blogging event yet.

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Day 3 of the 2018 What A Character! Blogathon

‘Tis the season to recognize the names below the title, as our yearly recognition of those supporting players whose faces you know (but names you might not) concludes today.

Check out Day 1 by Kellee at Outspoken and Freckled and Day 2 at Aurora‘s blog Once Upon a Screen. All the nitty-gritty blogathon details are in the Announcement post. Thanks to my partners in cinematic tribute for making this such a fun project and to Turner Classic Movies for the blogathon title and inspiration. And now on with the show…

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Announcing the SEVENTH Annual What A Character! Blogathon – Dec. 14-16, 2018

9th August 1933: Jean Harlow (1911 - 1937) is Hollywood sex goddess Lola Burns and Frank Morgan (1890 - 1949) is her father, Pop Burns, in 'Bombshell', (aka 'Blonde Bombshell') directed by Victor Fleming. Mary Forbes (1883 - 1974) plays Mrs Middleton.
Frank Morgan and June Brewster are just two of the superb character actors in BOMBSHELL (1933). Image via Doctor Macro

When you re-watch your favorite films, what keeps you coming back for more? A great story with sharp writing? No doubt. Beautiful costumes, swanky set designs, and stunning cinematography? Most assuredly. But the performances are key to any movie. While we all look forward to the popular leading actors, it is the stand-out, scene-stealing supporting actors that feel like “home.”

Wise-cracking Eve Arden, nurturing Louise Beavers, sassy Thelma Ritter, double-take pro Edward Everett Horton, tart-tongued Edna May Oliver, gravelly-voiced Eddie “Rochester” Anderson, fatherly Charles Coburn, frazzled Franklin Pangborn, bullfrog-voiced, barrel-chested Eugene Pallette, cigar-chomping Ned Sparks… these and so many more lovable character actors are who we look forward to seeing as our dearest old chums. We all could use a trusted sidekick.

stagecoach-1939a-700w
John Ford’s STAGECOACH (1939) was rife with talented characters.

For the 7th consecutive year, we as the blogathon hosting trio of Aurora of Once Upon A Screen and @CitizenScreen, Kellee of Outspoken & Freckled and @IrishJayhawk66, and myself, Paula of Paula’s Cinema Club and @Paula_Guthat invite you to join us for the WHAT A CHARACTER! BLOGATHON 2018, December 14, 15, 16, as we pay tribute to the brilliance of the supporting players.

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Curse of the Demon (1957) gifs

With a ton of alternate titles and a couple different versions (U.S. and U.K.), this film based on the short story “Casting the Runes” by M.R. James is both genuinely creepy and a fitting part of Turner Classic Movies’ tribute to Peggy Cummins, who passed away on December 29, 2017 at the age of 92. If you haven’t seen it, or even if you have, you ought to, plus it’s the TCM Party tonight at 9:45 p.m. Eastern with guest host Jim Phoel aka @DraconicVerses.

It’s got some really gorgeous black-and-white cinematography by Edward Scaife (who also shot The Third Man) under the direction of dollar-from-a-dime maestro Jacques Tourneur (Out of the Past, Cat People, I Walked with a Zombie). I made some apparently oversized gifs from it (too big for tumblr) and I’m parking ’em here. More gifs after the jump…

curse of the demon plane

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Announcing the 31 Days of Oscar Blogathon!

The Academy of Motion Picture Arts and Sciences handed out its first Awards at a dinner party for about 250 people on May 16, 1929, to honor movies released from August 1, 1927 – August 1, 1928. The organization’s first president, Douglas Fairbanks, hosted and presented at the ceremony, held in the Blossom Room of the Roosevelt Hotel in Hollywood. The brainchild of MGM studio mogul Louis B. Mayer, the Academy was formed in 1927 as a non-profit dedicated to the advancement and improvement of the film industry. Some might argue about some of those achievements, but there is one thing that is sure to impress classic movie and Hollywood fans: When the music plays to open this year’s Oscars on March 4, 2018, it will be the 90th time the film industry has honored achievements in movies. Check out all the 1929 nominees and winners.

If you look through 90 years of Oscars ceremonies, you’ll find numerous surprises, disappointments, and controversies, any number of which may spur debate from film aficionados. That’s where we come in. For the sixth consecutive year, I am joining forces with Kellee of Outspoken & Freckled and @Irishjayhawk66 and Aurora of Once Upon A Screen and @CitizenScreen to bring you the 31 Days of Oscar Blogathon. Given Oscar’s special anniversary and all of the memories, we hope you’ll consider joining us to make this the best and brightest outing yet. Details & list of participating blogs after the jump…

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Same Song, Different Movie: “Cry to Me” by Solomon Burke


The idea for this post is shamelessly borrowed with permission from my friend Michael at It Rains … You Get Wet and his fascinating Same Song-Different Movie series, which

looks at the use of “needle dropped” songs, many of them popular tunes, in movies. Specifically, in more than one. Yet they are not officially considered part of a film’s score. A score consists of those orchestral, choral, or instrumental pieces some consider background music. Both music forms are equally utilized as cues by filmmakers for a specific purpose or to elicit certain reactions by the audience.


On December 6, 1961, singer Solomon Burke recorded the country/soul/R&B mashup “Cry to Me.” The song’s upbeat melody, crisp tempo, and soaring vocal belie its themes of loneliness and weariness. It was released  in 1962 as a single with “I Almost Lost My Mind” on the b-side and placed on Billboard’s Hot R&B (peaking at #5) and Hot 100 (#44) charts upon its release. The song was written and produced by Bert Berns (aka Bert Russell), a Juilliard-trained musician, with whom Burke had a rocky relationship. Burke had rejected two other Berns compositions during the same session and was reluctant to record “Cry” as well — until Burke decided to speed it up. The song became one of the singer’s biggest hits, cementing his image as the “King of Rock ‘n’ Soul,” and it soon had a permanent place in the popular music songbook. Per Wikipedia, the varied and numerous artists to cover the immortal track include Betty Harris, the Pretty Things, the Rolling Stones, Raul Malo of the Mavericks, and the late great Tom Petty. The song was recently used in two mostly different features to very different effect, released less than a year apart: ’71 (2014) and The Man from U.N.C.L.E. (2015). While both films share certain plot keywords and deal in varying degrees with covert operations, the tone of each couldn’t be more different.

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What A Character! Day 1

The anticipation is over! Today we bring you the first day of the 6th annual What A Character Blogathon, hosted by yours truly and my fellow co-hosts, the classic film loving ladies: Paula of Paula’s Cinema Club @Paula_Guthat and Aurora of Once Upon A Screen @CitizenScreenings. As promised, this annual event celebrates the character actors. […]

via It’s here! 6th Annual WHAT A CHARACTER! Blogathon: Day One — Outspoken and Freckled