What A Character! Bruce Dern: The Guy You Love To Hate

by Kerry Fristoe

Marnie sees red and panics. As she struggles to remember the events of a long-repressed night from her childhood, we see Marnie as a child awakened from a deep sleep and sent to the sofa while her mother uses the bed for ‘business.’ A storm rages outside and thunder frightens the sleeping child. Mom’s client, a sailor, tries to comfort Marnie but the child resists him. She wants her mommy who enters and pushes the man away from her girl. A fight breaks out and Mom falls, hurting herself.  In an attempt to help her mother, Marnie grabs a poker from the fireplace and beats Bruce Dern to death. Marnie (1964)
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Dressed in a tuxedo for a society party, Bruce Dern waits in a solarium for a tryst with his beloved, Bette Davis. The meeting doesn’t go as planned. Seconds later we see his face full of fear as an axe wielded by a mysterious stranger descends and his head rolls across the floor.  Hush…Hush, Sweet Charlotte (1964)
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Dying violently after very brief screen time may seem like an inauspicious start to a film career, but it added to the CV of a prolific actor who has played killers, scumbags, and downright nasty guys. Bruce Dern started in television in the 1950s and continues to work today.  To be fair, he has also played some non-psychopathic roles though Dern, as a rule, is known for playing heavies. Tall and lanky, with a toothy grin that can go from friendly to malevolent in an instant, Dern plays nasty like no one else. In the western Hang ‘Em High (1968), his murderer/cattle rustler taunts Clint Eastwood and jumps him when he’s not looking.

In Roger Corman’s The Wild Angels (1966), he and fellow Hell’s Angel Peter Fonda, clad in swastikas and other Nazi insignia, threaten veteran Dick Miller with a pair of pliers. In his most infamous role, Long Hair in The Cowboys, Bruce Dern shoots John Wayne in the back, killing him.  When they discussed that scene John Wayne told Dern, “America will hate you for this.” Dern replied, “Yeah, but they’ll love me in Berkeley.”
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His counter-culture reputation was cemented after a series of films he did with Roger Corman and others during the 1960s. He even strayed from his nasty persona in a few. In The Trip (1967), Dern plays a benevolent soul guiding Peter Fonda through his first acid trip.  His calm, thoughtful demeanor and compassionate tone are a far cry from the snarling villain he usually played. I watched The Trip recently and listened to director Roger Corman’s audio commentary on the film. He said of all the cast members, including Peter Fonda and Dennis Hopper, Bruce Dern was the only one who never touched drugs.  A marathon runner who almost qualified for the Olympics, Dern lived a healthy life. During one scene in which partiers pass a joint, Dern is the only one not smoking.
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Jack Nicholson, a close friend, said Dern was one of the best of a breed of actors coming into his own in the 1970s. Films like The King of Marvin Gardens (1972), Silent Running (1972), The Great Gatsby (1974), and The Driver (1978) allowed Dern to show his range.  In Marvin Gardens as the ne’er-do-well with a dozen get-rich-quick schemes, Dern is all charisma and charm, and you get caught up in his enthusiasm even when you sense his plans will never come to fruition.  In Silent Running, as astronaut Freeman Lowell, Dern gives a nuanced performance. You know his actions are wrong, but his motives and the way he relates to little Huey, Dewey, and Louie charm you into rooting for him. As Tom Buchanan in The Great Gatsby, Dern’s callous aristocrat uses people and tosses them aside without a thought. I cannot think of the book or film without picturing Bruce Dern in that role. The spare The Driver lets Dern show his malevolent side again when, as The Detective, he orchestrates a robbery to frame Ryan O’Neal’s getaway driver and seems unaffected by the violence left in its wake.
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It might surprise you to learn that Bruce Dern’s background is closer to the patrician Tom Buchanan (The Great Gatsby 1974) than the scuzzy gang member Loser (The Wild Angels 1966). Bruce MacLeish Dern, born in Winnetka, Illinois, in 1936, went to the prestigious New Trier High School in Illinois before attending the University of Pennsylvania. He left Penn after a couple years for The Actors’ Studio and a career in acting. Dern’s grandfather served as Governor of Utah and Roosevelt’s Secretary of War. His other grandfather established the department store Carson, Pirie Scott & Co., and the poet Archibald MacLeish is a maternal relation. His godparents were Adlai Stevenson and Eleanor Roosevelt.

Throughout his career, Dern has done scores of television shows including Route 66, Thriller, The Outer Limits, The Kraft Suspense Theatre, Branded, Bonanza, Big Valley, Rawhide, The Alfred Hitchcock Hour, The Fugitive, The FBI, and recent appearances on Big Love and CSI:NY. He even hosted his own series from 1996-2001 called The Lost Drive-In, during which he sat in a vintage car and talked about drive-in movies, old cars, and that era in general, then showed a film which might have played in one. It was a fun show and Dern came off as well-versed and natural. I was sorry to see it end.
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With a career spanning almost 60 years, 145 films, and countless televsion appearances, Bruce Dern remains a working actor.  He, his daughter Laura Dern, and ex-wife Diane Ladd received their stars on the Hollywood Walk of Fame in 2010 and IMDB lists 5 or 6 projects in production for this versatile actor.  In May of 2013, Bruce Dern won the Best Actor award at the Cannes Film Festival for his role in Nebraska, which plays in theatres in November of 2013.  I can’t wait to see it!
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Kerry Fristoe is on Twitter and writes reviews about an array of eclectic movies at screamingargonauts.com. She lives in Massachusetts with her pretty cool teenager and sweet puppy. 

TCM Week – July 30-August 5

Interesting week on TCM. Leslie Howard month wraps up and Summer Under The Stars kicks off with two of my favorites, John Wayne and Myrna Loy. As always, all times are Eastern.

Monday, July 30
9:30 p.m. Island in the Sky (1953)
***TCM PARTY***
Captain Dooley (John Wayne) is the pilot of a plane that crashes “so far north that the area is barely on the map.” He’s in charge of the stranded crew, which has very limited provisions, only a wood fire for heat and barely any juice for the radio signal. Can the Duke keep everyone alive until they’re rescued? Look for us on Twitter with #TCMParty…watch and tweet along with our guest hosts @biscuitkitten and @ScribeHard.

Tuesday, July 31
Star of the Month: Leslie Howard
8:00 p.m. The Scarlet Pimpernel (1935)
This is one of my favorite Leslie Howard films ever. In the 1790s, an apparently shallow British nobleman, Sir Percy Blakeney (Howard), defies the evil French revolutionary Chauvelin (Raymond Massey) by spiriting his fellow aristocrats away from the guillotine and out of France. Also starring the beautiful Merle Oberon as Lady Marguerite Blakeney and luxuriously produced by Alexander Korda, this is perhaps not the most realistic film ever made about the French Revolution, but it may be the most fun.

Beginning early Wednesday at 1:30 a.m., TCM has booked three mystery films starring Joan Blondell: There’s Always a Woman (1938), co-starring Melvyn Douglas and Mary Astor; The Famous Ferguson Case (1932), directed by Lloyd Bacon; and Miss Pinkerton (1932), with George Brent. I haven’t seen any of these, but Blondell’s sassy presence is enough to get me to set the DVR.

Wednesday, August 1
John Wayne
Summer Under The Stars kicks off today. It’s difficult to go wrong with anything on the schedule…seriously…it’s John Wayne. If you need to start somewhere, and can only DVR one movie today, I recommend Stagecoach (1939), The Searchers (1956) or Rio Bravo (1959).

1933: (Left to right) Hollywood stars Myrna Loy (1905 – 1993), Ramon Novarro (1899 – 1968) and Louise Closser Hale relax in the sun during takes for the Metro-Goldwyn-Mayer production THE BARBARIAN. (Photo by Margaret Chute) via doctormacro.com

Thursday, August 2
Myrna Loy
Loy is another favorite of mine who is mostly known today as Nora Charles in The Thin Man series, but she made around 80 films before she became a star in 1934 with the first of those films. So the films she made before that are lesser-known. There’s five of them this morning beginning with The Great Divide (1929) at 6:00 a.m. and including The Naughty Flirt (1931), The Barbarian (1933), When Ladies Meet (1933), and The Prizefighter and the Lady (1933). Then tonight at 8:00 p.m., Loy has a supporting but pivotal role in William Wyler’s The Best Years of Our Lives, one of the best movies ever made. It’s also our ***TCM PARTY*** for tonight. Look for us on Twitter with #TCMParty…watch and tweet along!

Friday, August 3
Johnny Weissmuller
What can I say, a lot of people dig Tarzan pictures. Maybe I’ll check some of them out.

Saturday, August 4
Marilyn Monroe
The film I haven’t seen today is Clash By Night (1952) and it’s got an interesting director and cast. Directed by Fritz Lang, it stars Barbara Stanwyck, Robert Ryan and Monroe. I’m expecting something in noir, seeing as Lang directed M, The Woman in the Window, Scarlet Street, The Big Heat, etc.

Sunday, August 5
Claude Rains
You can’t really go wrong with anything today either. I say that a lot. If I’m forced to pick, I’ll go with The Invisible Man (1933) and Mr. Skeffington (1944). Did you know that in addition to being a great actor, Rains was an acting teacher? Two of his most famous students were Laurence Olivier and John Gielgud.

TCM Week – April 23-29

Monday, April 23
There seems to be a lot of good ’20s-’30s stuff on this morning and into the afternoon that I have never seen before, including most of the all-silent Laurel & Hardy block:
6:30 a.m. Putting Pants on Phillip (1927)
7:00 a.m. You’re Darn Tootin’ (1928)
8:00 a.m. Habeas Corpus (1928)
8:30 a.m. Big Business (1929)
9:00 a.m. Double Whoopee (1929)
9:30 a.m. Angora Love (1929)

1:15 p.m. It Happened In Hollywood (1937)
“A silent Western star has trouble adjusting to the coming of sound.” With Richard Dix, Fay Wray and Franklin Pangborn, who also has a role in Living on Love (1937) at 2:30 p.m.

There’s a Western block beginning at 8:00 p.m., including Ambush, Ride Lonesome with Randolph Scott, and Geronimo. One of my few favorites, Stagecoach, is on at 1:00 a.m. (Tues.). I don’t think anybody needs to see this quite as many times as Orson Welles, who reportedly watched it 70 times while he was making Citizen Kane, but I’m still going to DVR it.

Tuesday, April 24
8:00 p.m. The Way We Were (1973)
***TCM PARTY***
This day is singer/actress/director/Taurus Barbra Streisand’s 70th birthday and TCM is celebrating with a bunch of her movies beginning at 8 p.m. and going on into Wednesday morning. Our TCM Party, guest hosted by @CitizenScreen, is probably one of the best of Streisand’s films and certainly one of the most referenced in TV and movies. Complicated and serious Katie (Streisand) is in love with her total opposite, easygoing Hubbell (Robert Redford). Their different approaches to life drive them apart against the scary backdrop of the McCarthyist witch hunts of the 1940s.  Join us by tweeting with #TCMParty…my late mother would be proud.

Wednesday, April 25
3:00 p.m. Crossplot (1969)
In the 1960s, an adman woos women at all hours and, with his loyal secretary’s help, manages to successfully deal with clients as well. Not Don Draper…Roger Moore, apparently as an art director, with his future M, Bernard Lee, in a supporting role. Yeah, I’ll be setting the DVR.

Thursday, April 26
Directed by John Cromwell
8:00 p.m. Sweepings (1933)
Of Human Bondage (1934) director John Cromwell’s first film at RKO is a comedy about a department store founder (Lionel Barrymore) who works his fingers to the bone to build a legacy for his underwhelmed children.

Friday, April 27
8:00 p.m. Stage Door (1937)
***TCM PARTY***
Chosen by the TCM Party people (or those who voted anyway), tonight’s film follows the girls who stay at the Footlights Club, a boarding house for struggling New York actresses. It’s fun and snappy, with much of the dialogue improvised or taken from the stars’ actual conversations and re-written by the director, Gregory La Cava (My Man Godfrey). The cast includes Katharine Hepburn, Ginger Rogers, Ann Miller, and Lucille Ball. Tweet along with #TCMParty.

Saturday, April 28
Trevor Howard Block
Almost always described as a scene-stealer, Howard was never a big Hollywood star but he worked steadily for five decades. TCM’s got five of his films, beginning with The Third Man at 8 p.m. and continuing with the heartbreaking Brief Encounter (which basically established British film in the US), Mutiny on the Bounty (1962), The Charge of the Light Brigade (1968), and The Golden Salamander. His performance in Third Man is so appropriate to the character…quiet, understated, but so persuasive.

Sunday, April 29
7:00 a.m. The Falcon Takes Over (1942)
Yes, this is a poorly disguised version of the novel Farewell, My Lovely, which the producers bought from Raymond Chandler for a measly $2000 and bizarrely grafted onto another writer’s detective character. The title was even pinched from another film, The Saint Takes Over. But George Sanders is in it, so it’s here.

12:45 a.m. (Mon.) A Modern Musketeer (1917)
***TCM PARTY***
Our resident silent film expert @tpjost is hosting this TCMP, in which Douglas Fairbanks plays both D’Artagnan of The Three Musketeers and a contemporary version thereof, a guy whose gallantry and daring can match any 17th century swashbuckler. Look for us on Twitter with #TCMParty.