1) The classic movie moment everyone loves except me is:
Any of the 112 moments of The Constant Nymph (1943). Joan Fontaine was 25 and doesn’t seem 14 to me, just a little mental, but not as crazy as Charles Boyer’s character would be to leave Alexis Smith’s for a teenager. By the end of the film, I really felt they deserved each other.
2) Favorite line of dialogue from a film noir
“Baby, I don’t care.”
3) Second favorite Hal Ashby film
4) Describe the moment when you first realized movies were directed as opposed to simply pieced together anonymously. *
I’m not really sure, but I have a pretty clear memory of my mother telling me how Atlanta burning in Gone with the Wind was actually the set from another film, and that they had filmed that first. Before that I thought they started with the first scene and went through it in the order of the finished film. I was maybe 10 or 11.
5) Favorite film book
Halliwell’s Film Guide.
6) Diana Sands or Vonetta McGee?
Vonetta McGee. Repo Man.
7) Most egregious gap in your viewing of films made in the past 10 years
Children of Men. I know, I know!
8) Favorite line of dialogue from a comedy
It is really difficult to choose one, but let’s go with: “All you need to start an asylum is an empty room and the right kind of people.”
9) Second favorite Lloyd Bacon film
Espionage Agent (1939), with Joel McCrea and Brenda Marshall. Number one would be 42nd Street.
10) Richard Burton or Roger Livesey?
Roger Livesey.
11) Is there a movie you staunchly refuse to consider seeing? If so, why?
A Clockwork Orange, because I don’t want anything to ruin Singin’ in the Rain. Killer Joe, because the description of that one is enough. Twilight, I guess just because I’m sick of hearing about it. There’s many others, probably hundreds.
12) Favorite filmmaker collaboration
Orson Welles and Gregg Toland. Christopher Nolan and Wally Pfister. Quentin Tarantino and Sally Menke. Alfred and Alma Hitchcock.
13) Most recently viewed movie on DVD/Blu-ray/theatrical?
14) Favorite line of dialogue from a horror movie
“If you want good product, you gotta buy American.”
15) Second favorite Oliver Stone film
JFK. First favorite is still Platoon.
16) Eva Mendes or Raquel Welch?
I don’t have strong feeling one way or the other. Let the flaming commence!
17) Favorite religious satire
The Life of Brian. With runner up to Father Ted. It’s only runner-up because it’s not a movie, and it would have made a funny one.
18) Best Internet movie argument? (question contributed by Tom Block)
19) Most pointless Internet movie argument? (question contributed by Tom Block)
I think a lot of the time, these are the same thing. Internet movie arguments are the best, because mostly they are fun, and they’re also pointless, because I’ve yet to have one change my mind about anything important. Any argument that turns personal or has people unfollowing and blocking each other is a big bummer, though.
20) Charles McGraw or Robert Ryan?
Robert Ryan.
21) Favorite line of dialogue from a western
“Old man, make three coffins.”
22) Second favorite Roy Del Ruth film
23) Relatively unknown film or filmmaker you’d most eagerly proselytize for
It used to be Rian Johnson, because I knew he was a genius about 5 minutes into
Brick. Richard Linklater is hardly an unknown filmmaker, but his
Bernie (2012) is mostly unknown, and that is the one I’ve probably yammered on about the most.
24) Ewan McGregor or Gerard Butler?
With apologies to Ruth at Flix Chatter, Ewan McGregor.
25) Is there such a thing as a perfect movie?
I don’t know. But there are some that are pretty darn close. Casablanca. Jane Eyre.
26) Favorite movie location you’ve most recently had the occasion to actually visit *
Da Stuzzi, the café they dressed for Café Debussy in
Inception (2010).
27) Second favorite Delmer Daves film
28) Name the one DVD commentary you wish you could hear that, for whatever reason, doesn’t actually exist *
Casablanca.
29) Gloria Grahame or Marie Windsor? Gloria Grahame.
30) Name a filmmaker who never really lived up to the potential suggested by their early acclaim or success.
At the risk of incurring some major wrath…Orson Welles.
31) Is there a movie-based disagreement serious enough that it might cause you to reevaluate the basis of a romantic relationship or a friendship? *
Not based on a certain actor, director or film. Twitter is basically an exercise in “to each his or her own.” However, I can’t be friends or more with anyone who enjoys rape scenes, i.e. clapping, cheering, wolf whistles.
* denotes a classic or, if you must, recycled question from quizzes past that Miss Brodie thought might be interesting to revisit.
Paula's Cinema Club 