TCM Week – July 2-8

It’s always so weird when July 4 falls in the middle of the week and TCM runs some of the best movies in the middle of the night. I shouldn’t complain though, Leslie Howard is the Star of the Month. As always, all times are Eastern.

Tuesday, July 3
8:00 p.m. Gone the with Wind (1939)
***TCM PARTY***
During the daytime hours, TCM has 12 hours of Ann Rutherford’s movies scheduled. She very sadly passed away on June 11. Rutherford is probably best known as Carreen O’Hara, Scarlett’s nice sister, in GWTW but I also liked her as Lydia Bennett in Pride and Prejudice (1940), showing today at 10:45 a.m. I’m definitely going to record Two O’Clock Courage (1945), an early Anthony Mann film, starring Rutherford and Tom Conway (brother of today’s birthday boy George Sanders). Rutherford appeared at the TCM Classic Film Festival in 2011 Look for us on Twitter with #TCMParty…watch & tweet along.

Lester Plum (Joan Blondell) tries to educate Atterbury Dodd (Leslie Howard) about the picture business.

midnight Stand-In (1937)
Star of the Month Leslie Howard plays an uptight banker sent to overhaul a Hollywood studio; Joan Blondell is the title character, a sassy former child star, who decides to help him, if he’ll only let her; Humphrey Bogart is the beleaguered producer burdened with a dud film, a histrionic leading lady, and a drinking problem. This has been one of my favorite movies since I saw it last year and my friend Classic Film Freak was kind enough to post my review.

Wednesday, July 4
Patriotic movies are scheduled all day today and two of the most interesting are The Scarlet Coat (1955), about the beginnings of the U.S. Secret Service at 9:15 a.m. and The Devil’s Disciple (1959). You really can’t go wrong with Yankee Doodle Dandy (1942) either.

Thursday, July 5
7:00 a.m. Evelyn Prentice (1934)
This is an interesting pairing of William Powell and Myrna Loy outside of the Thin Man series. He plays a lawyer whose wife (Loy) hasn’t really done anything to deserve being blackmailed. The film was rushed into production after the huge success of The Thin Man to capitalize on their chemistry. It’s so good you sort of won’t believe it when they’re supposed to not be getting along.

5:45 p.m. Penelope (1966)
I haven’t seen this movie. I recorded it last year before we changed cable companies, it was one of the movies that was on the DVR and there was no way to transfer it. But Natalie Wood and Peter Falk are in it, so I’m going to record it again.

This sounds a lot more foreboding in French.

8:00 p.m. Ace in the Hole (1951)
***TCM PARTY***
In the first of guest programmer Spike Lee‘s picks for tonight, a reporter who’s been demoted to a small-town newspaper tries to leverage a catastrophe into a return to the big time. Watch and tweet alone with our special guest host @WillMcKinley.

Friday, July 6
Certainly if you haven’t seen The Manchurian Candidate (1962) at 3:45 p.m. or Bye Bye Birdie (1963) at 6:00 p.m., check those out. I’ll be trying to catch at least one Jimmy Stewart Western of the three that are scheduled: The Man from Laramie (1955) at 8 p.m., The Naked Spur (1953) at 10 p.m. and Two Rode Together (1961) at midnight.

Saturday, July 7
6:00 a.m. Seven Women (1966)
Anne Bancroft, Sue Lyon, Margaret Leighton, and Flora Robson play missionaries in John Ford’s final feature.

4:15 p.m. Dr. Strangelove (1964)
“Gentlemen, you can’t fight in here! This is the war room.”

Sunday, July 8
It’s really difficult to go wrong today. My favorite favorites:
2:15 p.m. The Thin Man (1934)
Sometimes well enough really should be left alone. See above. Celebrate that this isn’t going to be remade by watching the original and best.

6:00 p.m. My Favorite Year (1982)
A 1940s radio show writer (Mark Linn-Baker) struggles to keep playboy thespian Alan Swann (Peter O’Toole doing his best Errol Flynn) sober and upright, at least until the latter can guest star on that week’s show.

midnight Bande à part (1964)
Two thugs and a girl attempt to rob her aunt’s house with complications to be expected from a director, Jean-Luc Godard, whose biggest influences are the bright and dark sides of Hollywood — musicals and film noir.