The Rise and Rise of Alesha Dixon

As regular readers know, I sometimes stray away from the mainstay topic of this blog — film — into music of all kinds. Obviously, the two have been tied since film’s birth. One aspect of both industries that has fascinated me for some time is the odd relationship between the U.S. and the U.K., our highly influential older siblings with the cool accents, who seem to have even cooler record collections, more avant-garde taste in movies, and cutting-edge fashion senses. And yet, for every British artist in any medium that slays Stateside, either by popularity or influence — and the list of those is endless — there are some, for whatever reason, that just don’t click. This is also true of celebrity/entertainment culture in general…some U.K. celebs cross the pond to become household names in the U.S….and others just don’t catch on here. For every Graham Norton or Ricky Gervais, there’s a Cheryl Cole or Robbie Williams.

I’m not sure which category Alesha Dixon will fall into, or if she’s even interested in U.S. success, but at the moment, she is one of the most recognizable women on U.K. television. As an admired presenter and judge on prime-time shows, she’s known to millions of viewers, as well as being a talented singer and dancer, lending her more versatility and overall credibility than many others in the “unscripted” field.
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